If the signal level is so low that the extreme troughs in the waveform's contours are clipped off in exactly the same way. effectively making tall spikes into stunted, squared off stumps. The result here will be to chop off the tops of these peaks. The signal level is so high that the peaks of the highest levels are above the maximum level that can be represented by the maximum of our 16.7 million possible values If all of the detail of the waveform can be measured, it should not matter if there is a difference in levelīecause the contours of the waveform will be exactly the same and the combination of sample rate and bit depth will be able to represent these contours just the same. create this slice of the waveform and place it next to the previous sliceĪll these slices placed one after the other reconstruct the waveform. on my scale of 16.7 million values this means it's 'this loud' now measure the next slice of the waveform find where this falls on my scale of 16.7 million levels The encoding bit depth determines just how many values there are that can represent levelĢ4-bit encoding means that there are 16.7 million levels on the scale from no level at all, right up to the maximum possible level that can be measured
When a signal is sampled, the waveform's level is being measured.Ī sample rate of 48 kHz means that the waveform's level is being measured 48,000 times per second. AI -> RedEye -> Axe Instr inputĪnd I mess with the signal level from the DAW to achieve the same / very similar red tickling action as if I jacked into the front. I jack into my guitar striaght into the AI and record a great big signal from guitar to DAW Lil' note: I don't actually do any of this. if you actually needed to do this, you can normalise the dry guitar to heat up the level prior to stuffing it into an amp.Īnd if you're reamping back into the Axe, just leave the dry guitar level as is.Īre some of you guys implying that the reamped dry signal would lack the definition of a real guitar jacked into the front panel due to the signal level being quite low? You'd only want a much hotter level if you were to stuff it from DAW / tape out to a real amp for reampingĪgain though. So the Axe sounds exactly the same as if you jacked your guitar straight into it.
So that when it's played back into the Axe it is exactly the same. Surely the Axe has to record this at the level receieved. If this is all about the signal level of the dry guitar.
#Reamp di combo free#
So please feel totally free to ignore my crap more than usual. I was thinking that that was all about the final wet signal from the Axe.
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